Unique womens genuine leather jacket "Incubator" Available. Size SM. Price $3000
The Incubator women's leather jacket, created by fashion designer Sofalee at the PR studio in Moscow, is not just a piece of clothing, but an artistic statement. In Sofalee's works, there is always a desire to go beyond the usual. She is not afraid to address topics that might seem strange, harsh, or even shocking to an ordinary person. This is a conscious choice: banality and everyday thinking
cannot become the basis for the birth of authentic art. Sofalee is constantly trying to look beyond the horizon of the possible, to bring into the material world ideas that usually live only in the imagination. Her work evokes strong emotions —pleasant or disturbing — but that's exactly what her creative credo is: "the show must not stop." The Incubator jacket is not just a wardrobe item, but a painting in which the person wearing it becomes part of the performance. It is based on the influence of the great artist Hans Rudy Giger, a master of biomechanics who combined living flesh and mechanical structures in his images. In his works, the viewer seems to be in contact with a different civilization and a different philosophy of existence. In Sofalee's interpretation, the man in this jacket is represented as an incubator for growing alien creatures. The small oval gray "windows" on the jacket resemble transparent capsules in which you can see embryos, similar to those we see in the movie Alien. These elements glow in the dark due to the luminescent material, enhancing the effect of the presence of something alive and alien inside. The entire black part of the jacket is like a spacesuit, a protective shell. Light gray and white plates are steel shields protecting a fragile body. And the pink elements, as if stained with blood, symbolize human flesh, forcibly integrated into an alien biomechanical organism. This concept is based on the idea that the female body is often used as a "factory" for the continuation of the human race — and the artist draws a parallel between exploitation in real life and a fantastic scenario of parasitic introduction. In her interpretation, humanity often acts as a destructive, parasitic force — with the exception of a few strong-willed, educated, awakened individuals. In some of the photos, the girl in the Incubator is wearing a mask. It symbolizes other people's thoughts, imposed patterns of perception, because of which a person remains blind to reality. Thus, the Incubator leather jacket is not just a designer thing. It is a protest, an artistic manifesto in which biomechanics, social criticism and philosophy of existence are intertwined.
The genuine leather jacket is decorated with convex, embossed and sewn elements similar to vertebral plates, ribs and abstract "organic" shapes. The jacket is a guide between worlds: organic and artificial, chaos and construction, man and that mysterious entity that is born at the intersection of biology and technology.
Pink and silver lines glide across the black fabric, resembling interlacing muscles, cartilage, and veins. Every detail feels alive: ribbed plates curve along the torso as if they breathe; spinal pads look like the muscles of a non-existent creature; and cable loops on the shoulder look like organs created not by biology, but by a fantasy machine.